anyone ever use silk and steel strings?

Started by fiddlehead207, April 26, 2009, 02:09:18 PM

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i'm looking for an older/warmer (gut sound) on my om-03 mt.  i've also thought of trying flat tops, which are polished. obviously i'll just have to try them to know. but i thought its free to ask around first before i drive and buy one of each to try them out. thanks.

I did one time many years ago. They sounded so ' dead ' I did not try them again.
Maybe they are better quality now...
- Larry
PLAY SONG , LIVE LONG !

Larrivee OOO-60 - Lady Rose
Pavan TP-30 classical - nylon
Takamine 132s classical -nylon
former Larrivees  L-03R  SD-50

The only set I liked was the John Pearse "silks" set. It's not a true silk and steel but very similar.
Guitars: Larrivee P-05; National Resphonic Style 2 Squareneck;      National Resophonic 12-fret "B"; Dupont MD-50;
Lazy River Weissenborn; Robert Sayers custom flat-top;
Cervantes Crossover; Todd Korup banjo-uke; McSpadden dulcimer;
PRS 22 semi-hollow ltd.; PRS DC3
Amplification: RA-400; Rivera Venus 3


I tried some D'Addarios silk and steel once but found they were too quiet for me.  And if I recall correctly they didn't last very long.  To get a mellower sound I adjust my playing so that my fingers are just over the soundhole ( I play fingerstyle).  A classical guitarist will get a myriad of tones simply from positioning of the hand and string attack.

I like them on my S&P parlor, but not on my L03
If it sounds good, it is good.


I've used them on my Guild 12 string every now and then,mostly due to how my arthritic hands were feeling.I do have a couple of clients that swear by them and will use nothing else.I say try them for yourself and then make a judgement.
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I am using John Pearse Silk and PB (Med/Lights) on my FIII Hog Top and love them.  I don't hear the dreaded lack of tone that others complain about.  They are just slightly mellower and I really suggest giving them a try.  Ironically, I was just going to start a new post on this subject and you beat me to it.

Someone posted about this a few years ago and included the link to the following review:
http://www.maurysmusic.com/john_pearse_silks___todd_s_review

I haven't tried any other brand of silks yet (GHS, Markley, Martin, etc.), and as much as I love to experiment with strings I likely will.  But I REALLY like the JPs.

Keep in mind, my hog top is brand new with a bone saddle, which could make it much brighter than an older guitar.  I really like the mellower sound.

A compromise would be Martin Marquis PBs which have a silk wrapping at the ball end of the string.  I am VERY surprised at how much mellower they sound than other PB strings.

For $15 you could try both.

I tried GHS Vintage Bronze strings which are supposed to be more mellow on a Silver Oak and a Rosewood dread and didn't care for them, but they might sound good and to your liking on the hog top.

Enjoy.
Three Larries and a Guild and an A&L...and electrics...and a mando

"Your lack of technique can be part of your style. The thing about style is that it's more entertaining, more important and hopefully more intellectual than technique."
Kim Thayil (Soundgarden)


Only tried silk & steel once (forget the brand)... was at a weeklong guitar jam a few years back and my fingers were really hurting... went to local store looking for lighter strings to ease the pain... figured I'd try the silk & steel.  Owner cautioned me that these might not be exactly what I wanted

Anyway, I string them up and manage to snap the G string as soon as I get into a heavy riff.  I'm not one to snap strings otherwise, so I just figured they weren't for me.  They did have a lot lower tension than what I'm used to (light/medium), had an extralight kind of feel to them

I think on the right guitar, where you were looking for a groovy kind of feel, these could be right.  But perhaps not for aggressive playing, I think

I've never tried silk and steel. but based on some of your responses, it's not lilkely that i would care for them since I tend at times to dig in somewhat agressively at times with my nails.  Everybody's different though so check out the s  & s and let us know your verdict. 

         DAVE   
-Larrivee LSV11e (sadly sold))
-Lowden S10c
-Taylor 455ce L7
-Guild D40 (donated to science due to terminal      Onthevergeofimplosionitis)
-Brian Fry Custim 000 in the works

Silk and steels have there place but that place is not on my MT...YMMV.  I use them and silk and bronze strings (which I like better...GHS I think) on my old Harmonys that have neck issues....the lower tension is nice for now until I get their necks reset....but I don't think they would have enough tension to get a Hog top really working...but they are only 5-7 bucks so why not give them a try and let your ear guide you.

Cheers,

Blue
OM-05MT "Mary Helen"
Silvercreek T-170
Harmony Herd (1203, 162, 165, 6362)

Love to hear the difference - I've been intrigued with them, but not bought a set to try out yet -

Sure wish we had an easy way to post short .mp3s on the Forum - this would be a great thing to hear -

Tad
Bunch of Larrivees - all good -
and a wife that still puts up with me, which is the best -

Tad-

I'll try to do this on my reverbnation site when I get a chance.  It's the end of my semester right now and I'm swamped (whihc is why I'm writing this at work at midnight on a sunday, after finishing some grading of student reports).  I have my FIII hogtop taped with stock EXPs and can do some recording with bronze and silks after I switch the tusq saddle back to the bone to match the first recording.
Three Larries and a Guild and an A&L...and electrics...and a mando

"Your lack of technique can be part of your style. The thing about style is that it's more entertaining, more important and hopefully more intellectual than technique."
Kim Thayil (Soundgarden)


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